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Multiple ties bind this blog and the university that hosts it to George Washington. We proudly take our name and many of our cues from him.

George Washington, Public Garden, Boston, Mass.
George Washington, Public Garden, Boston, Mass. Flickr/Eric Hatch
Under the circumstances, then, fans of the first president of the United States would do well to consult the June 24 issue of The Forward, which features both an editorial and a front-page article about the fate of the famous 1790 letter assuring the Jews of Newport of religious liberty.

As it turns out, this foundational document, a staple of American Jewry’s political and civic identity, currently reposes in a Maryland storage facility, where it’s kept under wraps. “What a loss!” The Forward declares, coming down hard in favor of publicly displaying the text.

At a time when simulacra have taken the place of the real thing, and historical literacy is increasingly an artifact of the past, taking the measure of an 18th century text with our own eyes is an experience to be cherished.

Guest post by Menachem Wecker

During the Q&A period of a Dec. 1 event at the National Press Club titled "Why journalists must understand religion," I asked Sally Quinn, founder and moderator of the Washington Post's On Faith, if it was an advantage for reporters to approach the religion beat with insider knowledge of the faiths they are covering.

typewriter
Credit: Flickr user Helen Black.
After all, I've found that some of my most creative stories have stemmed from a nuanced understanding of rabbinic and biblical Judaism, whether it was noticing Hebrew typos in William Blake's paintings, mistranslations in the promotional materials of Hebrew inscriptions on rings in a gift shop at a mega-church or examining seemingly incongruous visual elements (like rabbit hunts or twisted pillars) in Jewish illuminated manuscripts and synagogues.

On the other hand, I've written for Catholic, Arab American and Mormon publications, and invariably, I learn the most from writing for those audiences, because I'm forced to do more research and to double- and triple-check my work.

Ms. Quinn responded that experience clearly helps a reporter understand the story, but it is not a prerequisite to good reporting.

I was replaying the Press Club event in my head when my editor at the Houston Chronicle asked me to write a news story for the paper on Christmas. It sounds like the beginning of an off-color joke: a kid named Menachem starts writing a story on Christmas art...

I have to say, though, that in the process of researching the story -- which ran Dec. 23 as "Fine Art displays haven't forsaken the Nativity" -- I definitely found myself enjoying the process all the more so because I knew I was treading holy water.

Diane Apostolos-Cappadona, an adjunct professor of religious art and cultural history at Georgetown University, sent me a handful of articles and chapters she’d written on the subject, and I happily and hungrily devoured them word for word -- several times each.

I also got a kick out of emailing back and forth with art blogger Tyler Green, who had created an online Adventist and Chanukah calendar on the micro-blogging platform Tumblr.

Some might say that chutzpah draws me to non-Jewish stories, but I prefer to see it as an expression of a different Jewish value: sakranut, or curiosity -- the same sentiment that motivated the famous monkey Curious George, who according to the latest wisdom, might even have been Jewish himself.

What would Curious George have had to say about Christmas art? Probably not a whole lot, but I can just see him getting caught up in some mischief as he tried to track Santa (b. 1881) down to personally deliver his wish list -- sure to be a whole lot of bananas.

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From Under the Fig Tree is delighted to announce another first: a content sharing partnership (aka "cross-posting") with the Forward's culture blog, The Arty Semite and its curator, Dan Friedman, who is also the newspaper's arts and culture editor.

To mark the occasion, Menachem Wecker, a staff writer for GW Today and himself a celebrated blogger for the Houston Chronicle, has moderated a conversation between Jenna Weissman Joselit and Dan Friedman on the relationship of the academy to journalism and the arts.

MW: Dan, as someone with a lot of experience in Jewish journalism, what are some of the challenges inherent in interviewing scholars of Jewish history or culture? Is it tough to get professors to speak in anything close to sound bites? What are some of the things you wish all Judaic studies professors hopeful of appearing in the Forward’s arts and culture section knew about your beat?

DF: Well I don't want professors to talk in sound bites, not in my section. But I think that for those professors who write for my section, it's a struggle to get the right mixture of clarity, complexity and conciseness. Coming from an academic background myself, I know that timeliness, brevity and accessibility were not particularly prized in Ph.D. programs. I wonder whether Jenna, who has written in a number of different venues, addresses questions of writing for her students.

MW: Jenna, what's your reaction?

JWJ: Like Dan, I, too, prize the three C's of writing and make a point of sharing them with my students as they work on their papers and presentations. Then again, I also make a point of staying away from the dreaded red pencil markings, which various online editing systems have imported, lest my students flee in horror. I much prefer the more gentle stylings, and nudges, of a gray lead pencil. As Dan points out, I've had the good fortune to write for a number of different venues and this, I have to say, has done wonders for my writing as well as my embrace of deadlines.

MW: Let's try a flipped version of the first question. Jenna, how willing have you found your colleagues in academia to be interviewed by reporters at Jewish publications? Do you think professors tend to see media engagement (and reaching out to the larger, non-scholarly public) as part of their teaching responsibilities? One often hears professors complain that they interview at length with a reporter only to have a sentence-or-two-long quote appear in the final story. Have you encountered this challenge in your own work, or have you heard from colleagues about this?

JWJ: Once upon a time, academics might have held the media at arm's length, but these days as the distinction between high and low culture is increasingly blurred, that's no longer the case.

In fact, many of my colleagues relish the opportunity to engage with the press. At times, admittedly, it's frustrating to speak at length and with subtlety to a reporter only to find one's pearls of wisdom variously mangled, twisted out of context and so radically truncated that you come off sounding like a drunken sailor. Still, it's a risk well worth taking.
...continue reading "Moving Forward"